The copperplate was not part of any of the major collections and is almost certainly not in existence.
Rarity of impressions
In auctions (2000-2025): rare Early: 12 ⦿⦿⦿⦿⊙⊙
In collections (New Hollstein – 2013): very rare Early: 41 ⦿⦿⦿⦿⦿⊙
Catalogue Nowell-Usticke (1967): RRR-, a very rare plate, possibly a self-portrait ⦿⦿⦿⦿⦿⊙
Description
The picture shows a, so far unidentified, man leaning on a balustrade, pointing his right arm to what seems to be a row of books in the background. According to Fritz Saxl (1910) the pose of the sitter resembles the pose in Rembrandt leaning on a stone sill (B 21), which is clearly influenced by Castiglione. This supports the idea that it could be a self-portrait, as suggested by Nowell-Usticke. But his suggestion is not followed by other authors.
Related
Hinterding points at similarities in style with the work of Ferdinand Bol, specifically the etchings Hollstein 5 to 14. Bol started to work in 1642 and made several pictures of bearded men and books in the background.
Copies
NH lists four copies of which one in the same direction. Copy C is by David Deuchar, published in his album (c. 1861, 77 x 69 mm, WB).
There are three copies in reverse. Copy A is by Honoré Coussin, inscribed Rembran | h.c.f. (two states, 107 x 87 mm). Copy B is anonymous (73 x 61 mm). Copy D is by an anonymous English artist in the 18th century, inscribed Rembrandt f 1643 (135 x 161 mm).
Attributions and reviews
The etching is considered as special by Coppier.
States
All authors list one state only. Early impressions are sharp and clear, later ones are still quite good.
Literature
H 194, BB 42-A, G 237, M 152, Mz 65, RA 660, Cl 254, W 258, Bl 262, Du 273, CD 159 Saxl 1910, p. 42; Hinterding 2008, p. 450-452;
Rembrandt in Black & White: 143
NH/ WB: only state.
A strong impression with very pale staining along the upper plate mark.
Sheet 73/72 x 58 mm, margins of 1 mm left and right, 2 mm at the top and none at the bottom (+5%).
No watermark. Vertical chain lines at 25 mm,
Provenance
In the collection of Paul Davidsohn (Danzig 1839 – 1924 Berlin (?), Lugt 654), his collector’s mark verso.
Probably in the sale of his collection with C.G.Boerner in Leipzig in April 1920.
Exhibitions
Rembrandt in Zwart-Wit, Westfries Museum (Hoorn), Het Markiezenhof (Bergen op Zoom), Stedelijk Museum Zutphen, Het Hannemahuis – Harlingen, Jan ten Horne Museum – Weert, Stadsmuseum Harderwijk, March 2013-August 2015; Rembrandt, de fotograaf, Westfries Museum (Hoorn), June 2024 – January 2025;